Score: 10

"Finally Another One"

submission: CatFat Episode 2

date: September 1, 2009

Well done, once again! The art has increased in quality, smoother transitions, and I just realiazed something... Mr. Thin sounds a little bit like Killface from Frisky Dingo (if you've ever seen that). Anyways, bottom line, keep up the good work!

Score: 10

"Great game"

submission: Journeys of Reemus: Ch.1

date: July 12, 2009

Late review, but this game is still extremely funny and well done. And guy below me, use the thing with the tea kettle to get rid of the potion.

Score: 10

"Phew"

submission: Guns of the Awesome

date: May 30, 2009

Nicely done. Of course this is a ripoff, people...it's done in the "awesome style". But it also has a difference to it, in some ways. Funny, very smooth and connected, very relevant, and hey, that was a damn good otacon voice.

Score: 10

"It's well done"

submission: Jazz for James

date: August 8, 2009

It just kinda sounds like it should be used in some mii game though, haha. Whether you take that as a compliment or insult, it's still a nice piece.

Score: 10

"Awesome Job, as always"

submission: Detective Jazz Loop 1

date: July 18, 2009

Loved the trumpet, as always too. Nice lip work, haha. But why does every trumpet player I know use reason? Just kidding, it's a good program, I know, just seems like an odd coincidence. With your recording, are you recording straight into the program, or using another program to do so? Because I've done recordings for personal stuff using audacity, and it's really good at getting past even the worst mic's flaws, and really getting a nice clean sound.

Score: 10

"Quite Well Done"

submission: Toccata

date: July 6, 2009

I commend you for using only 8 players and actually choosing to place an oboe in such a small arrangement. For anyone who reviewed before me or listens to this, and who is not that well oriented in the ensemble world, the oboe is an impossible instrument to tune. There's an old joke: How do you get two oboe players to play in tune? Shoot one. I felt that this had a good sound and balance throughout 99.9% of the piece, but there are a few places where some instruments speak out a little more strongly than others, where personally I would've had them quiet down a little more. Part of it may just be the player, I know, I've done it in large ensembles and quartets, trios, etc. Around...4:54 I believe, there is a crescendo on those strings. The note is played well, but the tricky thing with crescendos is timing. Really, I personally feel as if they rushed a little too much into that crescendo. It should be a little more gradual, and then about a measure, or if you have the luxury, two, measures from the end of that crescendo, bring it up so that it's almost like an instant step up or two steps up in dynamics. They're very little things though, and I had to rack my brain just to think of them, so overall, it's a job well done.